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Beating Darcy Down
He’s a dead white man, already. Let’s get over him, ladies. Culture . 04/15/2008 02:04 AM . Alisa Harris
Last weekend, people from my former college threw a Fitzwilliam Darcy Ball. This should be no surprise considering the fact that every couple of hours, someone from my former college invites me to take the “Which Jane Austen Heroine Are You?” Facebook quiz. And that should be no surprise considering the fact that Jane Austen is ubiquitous these days—on billboards, in movies, on bookshelves—tired out, twisted and shrunk to cliché. “It seems you could make anything Jane Austen wrote—a captioned doodle? a grocery list? a penmanship exercise?—into a box office smash,” said the Washington Post last summer when Jane Austen Book Club and Becoming Jane were hitting the box office. PBS just readapted every Jane Austen classic for its Masterpiece series. Upcoming spin-offs include Sense and Sensibilidad, a Latina version set in Los Angeles, and Jane Austen Handheld, which retells Pride and Prejudice from the perspective of a documentary crew. The Boston Globe gushed that Austen approaches the genius of Shakespeare and that we must adapt her stories again and again for each generation: “It should be reimagined for a variety of mindsets—cynical, superficial, innocent, hopeful. As we define Austen, so, to some extent, do we define our time and ourselves.” But the passion is a little cloying—embarrassing enough to force former Jane Austen fans into hiding. There’s a difference between someone who appreciates Jane Austen and someone who wants to be Jane Austen. It’s good to use literature as an occasional escape from reality, but when fiction spills over into real life and we start to want to inhabit it—when we start assuming that life is a series of F. Darcy Balls and proposals from Colin Firth—it’s a problem. It’s a problem some people actually have. Search for Mr. Darcy on Facebook and you’ll find hundreds of groups full of hundreds of girls who seem to expect Mr. Darcy to materialize out of mist on the moor. They range from demure to downright terrifying: Waiting for Mr. Darcy, Looking for Mr. Darcy, Forever in search of our own Mr. Darcy, I refuse to settle for anything less than Mr. Darcy, I’m not looking for Mr. Right, I’m looking for Mr. Darcy, I wish men were more like Mr. Darcy!, I have Mr. Darcy Syndrome and it’s f——-g up my love life, and D****, Mr. Darcy! I just wanna rip those sexy pants right off of you!” You may think these Lizzy Bennet-wannabes are not in earnest, but some men are fully convinced that Mr. Darcy—and other idolized fictional characters—are serious competition. Jacob Douvier, founder of Real Men Against Mr. Darcy, says some men express secret support of his group but fear a feminine backlash if they join. Douvier finds girls’ “overwhelming obsession” with Mr. Darcy both “bizarre and sad.” Douvier quotes Kierkegaard, who says that it’s dangerous to take snippets of different people’s characters and mishmash them all into a universal ideal. “Ultimately, all you can love is this ideal rather than a real person,” Douvier says. “Women are setting themselves up for disappointment.” It’s called emotional porn. When men glut their physical lust with pictures of airbrushed girls pumped full of silicone, they become dissatisfied with real women’s bodies. When women plug their emotional caverns with chick flicks and chick lit, they become dissatisfied with the real men they know because they can’t measure up to the guys from The Notebook or Pride and Prejudice or Walk to Remember. Me and Mr. Darcy explores this tragedy with the usual chick lit vapidity. The heroine, Emily Albright, journeys to England on a lonely quest for Mr. Darcy, described as “sex on a stick.” After falling for an obnoxious journalist in a plot that sounds vaguely familiar, she makes a startling discovery about Mr. Darcy: I was in love with the idea of him and what he represented, but not the reality. … How can anyone live up to the airbrushed vision I’ve created in my head all these years? He can’t. And he shouldn’t be made to. Austenites airbrush Austen’s Darcy himself. They forget that the man in the book is arrogant, rude and in the end, stable and good but a little bit boring. They miss the whole point when they refuse to give second chances to the stable and boring (or sloppy or impoverished or slightly vain) men in their own lives. After all, it’s much easier to complain that he’s not Mr. Darcy than to admit that, despite what the “Which Jane Austen Heroine Are You?” quiz claims, we might not be Elizabeth Bennets. In fact, we may be Mary Bennets instead—supercilious bores with an overweening love of literature. Alisa Harris is a reporter for World on the Web. She doesn’t find Colin Firth all that hot.
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